Going Home

 

SITTING IN THE STATION ON MY OWN
I WILL SOON BE ON MY WAY
THE SUMMER’S OVER NOW
I’M GOING HOME

I’VE HAD FUN WHILE I’VE BEEN IN THIS TOWN
BUT ALL GOOD TIMES HAVE TO END
I’VE SAID MY GOODBYES
TO MY NEW FRIENDS

SPEEDING THROUGH THE OPEN COUNTRYSIDE
AUTUMN LEAVES ARE TURNING BROWN
I’M HEADING BACK
TO MY HOME TOWN

THE SUMMER’S GONE, I’M GOING HOME
THE SUMMER’S GONE, I’M GOING HOME

NOW I’M NEARLY HOME I CANNOT WAIT
TO SEE THE OLD FACES AGAIN
ALTHOUGH I EXPECT
THAT NOTHING’S CHANGED
(STILL THE SAME)
NOTHING’S CHANGED
(STILL THE SAME)
NOTHING’S CHANGED
(STILL THE SAME)
NOTHING’S CHANGED
(STILL THE SAME)
NOTHING’S CHANGED
(STILL THE SAME)
NOTHING’S CHANGED
(STILL THE SAME)

I’M GOING HOME.

One In Three

 

ANGIE AND JOHN WENT ABOUT THEIR DAILY BUSINESS
NOT KNOWING OR SUSPECTING WHAT FATE HAD PLANNED
THEY BUMPED INTO EACH OTHER AND THEIR EYES GAZED DEEPLY
SHE SAID “I’M SORRY”, AND HE TOOK HER HAND

THEY MARRIED IN A CHURCH, ALL THEIR FRIENDS WERE IN ATTENDANCE
THE BRIDE WAS REALLY LOVELY AS SHE WALKED DOWN THE AISLE,
PLANS WERE ALL MADE, EVERYTHING WAS GOING FINE
BUY A LITTLE HOUSE, HAVE SOME CHILDREN IN A WHILE

ONE YEAR LATER
A LITTLE BOY
THEY WERE SO HAPPY

A LITTLE GIRL NEXT
JUST LIKE THEY PLANNED
THEY WENT WALKING, WALKING HAND IN HAND

THAT WAS THE BEGINNING, BUT NOT IT’S ALL ENDING
FIVE YEARS OF BLISS AND THEN TWO OF HATE
THE KIDS ARE TOO YOUNG, THEY DON’T KNOW WHAT’S GOING ON
MUMMY HAS TOLD THEM DAD’S STAYING WITH A MATE

Rebel Without A Vest

 

MOTHER SAYS IT’S COLD TODAY
SO WRAP UP WELL AND DON’T DELAY
KEEP HANDS IN GLOVES AND SCARF WOUND TIGHT
AND BE HOME BY EIGHT TONIGHT

HIS HAIR IS CUT WHEN SHE DECIDES
IT’S GROWING TOO LONG AT THE SIDES
HIS SHOES ARE POLISHED TILL THEY GLEAM
AND TROUSERS IRONED ON THE SEAM

HE HAS A SECRET THAT HE KEEPS
HE DREAMS ABOUT IT AS HE SLEEPS
SHE DOESN’T KNOW, SHE’S NEVER GUESSED
HE DOESN’T EVER WEAR HIS VEST
X2

HIS LAST BIRTHDAY WAS A TREAT
MOTHER FED HIM ON RED MEAT
SHE GAVE ANOTHER PAIR OF SOCKS
LET HIM STAY UP TILL TEN O’CLOCK

THE TV SET IS HARDLY ON
SHE THINKS IT WILL CORRUPT HER SON
EXCEPT FOR ‘SONGS OF PRAISE’ OF COURSE
HE SINGS ALONG TILL HE IS HOARSE

HE HAS A SECRET THAT HE KEEPS
HE DREAMS ABOUT IT AS HE SLEEPS
SHE DOESN’T KNOW, SHE’S NEVER GUESSED
HE DOES’NT EVER WEAR HIS VEST
X2

Revenge Fulfilled

 

AFTER FIVE MINUTES OR SO I KNEW HIS NAME
AND HE THOUGHT THAT HE KNEW MINE
WE SAT AND TALKED AND THEN HE ASKED ME
IF AND WHERE I’D CARE TO DINE
WE WENT OUT TO THE BEST RESTAURANT
THAT HE COULD POSSIBLY AFFORD
AND THEN I REALLY GAVE HIM QUITE A SHOCK
WHEN I TOLD HIM I WAS BORED

HE WAS THE GUY WHO BROKE MY SISTER’S HEART
HE DIDN’T KNOW ME SO I HAD A START
I WAS OUT FOR VENGEANCE
LITTLE DID HE KNOW
I WANTED TO KILL HIM
LIKE HE KILLED DOMINO

THE STARS WEREN’T OUT THE STREETS WERE EMPTY
HE TOOK ME TO THE MISTY PARK
WE SAT UPON THE WOODEN BENCHES
THEN SCREAMS RANG OUT INTO THE DARK
MY HANDS WERE BLOODY AND THE KNIFE WAS DULL
IT TOOK MINUTES AND THEN HE WAS DEAD
I WALKED ALONE INTO THE SILENT NIGHT
AND HER VOICE WAS IN MY HEAD

HE WAS THE GUY WHO BROKE MY SISTER’S HEART
DE DIDN’T KNOW ME SO I HAD A START
I WAS OUT FOR VENGEANCE
LITTLE DID HE KNOW
I WANTED TO KILL HIM
LIKE HE KILLED DOMINO

So Long

 

IT SEEMED SO LONG SINCE THE SUN LAST SHONE
BUT NOW YOU’RE BACK AND THE CLOUDS ARE GONE
THE DAYS WERE LONG AND THE NIGHTS WERE TOO
BUT NOW THEY FLY PAST BECAUSE OF YOU

BUT I REMEMBER THE TIMES YOU WERE AWAY (SO LONG)
CAN’T FORGET ALL THE THINGS YOU SAID THAT DAY
SHE CALLED AND YOU WENT AWAY

YOU SAY TO ME THAT YOU’RE BACK FOR GOOD
HOME TO STAY LIKE YOU SAID YOU WOULD
BUT I’M NOT SURE THAT I’LL EVER BE
FREE FROM THE PAIN OF YOUR LEAVING ME

BUT I REMEMBER THE TIMES YOU WERE AWAY (SO LONG)
CAN’T FORGET ALL THE THINGS YOU SAID THAT DAY
SHE CALLED AND YOU WENT AWAY

WE’RE LAUGHING AND DRINKING
BUT I CAN’T HELP THINKING
DO YOU MEAN IT THIS TIME, THAT YOU’LL STAY

PLEASE DON’T DECEIVE ME
AND TELL ME YOU NEED ME
I LOVE YOU SO DON’T GO AWAY

IT SEEMED SO LONG SINCE THE SUN LAST SHONE
BUT NOW YOU’RE BACK AND THE CLOUDS ARE GONE
THE DAYS WERE LONG AND NIGHTS WERE TOO
BUT NOW THEY FLY PAST BECAUSE OF YOU

BUT I REMEMBER THE TIMES YOU WERE AWAY (SO LONG)
CAN’T FORGET ALL THE THINGS YOU SAID THAT DAY
SHE CALLED AND YOU WENT AWAY

Time Will Tell

 

I HEARD THE NEWS THAT YOU WERE LEAVING – MOVING ON
I THOUGHT THAT IT COULD NOT BE TRUE
IT SEEMED THAT THINGS WERE GETTING STRONGER – I WAS WRONG
I GUESS THAT’S NOT ENOUGH FOR YOU

YOU SAID YOUR GOODBYE
NOW I SEE YOU RIDING HIGH
THINGS HAVE CHANGED

YOU ARE MOVING ON
AND TOMORROW YOU’LL BE GONE
YOU HAVE CHANGED
(YOU’RE NOT TO BLAME)

YOU SAW THINGS HAPPENING AROUND YOU – GOING ON
AND FELT THAT YOU’D LIKE TO MOVE ON
I’M SURE THAT IT WAS BOUND TO HAPPEN – BEFORE LONG
MOST GOOD THINGS NEVER LAST TOO LONG

NOW THAT YOU HAVE GONE
AND I HEAR YOU PLAY YOUR SONG
I FEEL STRANGE

A PART OF YOU HAS GONE
CAN YOU MAKE IT ON YOUR OWN?
TIME WILL TELL
(TIME WILL TELL)

YOU TOOK YOUR CHANCE
NO SECOND GLANCE
YOU KNOW WHAT YOU MUST DO
YOU MADE THE MOVE
NOW YOU MUST PROVE
THAT WHAT THEY SAY IS WRONG
YOU STILL BELONG

NOW THAT YOU GAVE GONE
AND I HEAR YOU PLAY YOUR SONG
I FEEL STRANGE

A PART OF YOU HAS GONE
CAN YOU MAKE IT ON YOUR OWN?
TIME WILL TELL
(TIME WILL TELL)

X2

House of Dolls – Issue 21 – Jan 1989

hod1

There’s no more satisfying feeling in the world that having paid your hard earned cash to see a band and being hit by a gem of a support band all for the same price. Picture this: a seething, sweaty Fulham Greyhound more akin to a Turkish Bath than the usual black hole of Calcutta. An army of Morrissey T-shirts push and shove for position. The steam around the stage lights is clearly visible, when into this tropical environment walk AVO-8. Fronting for the Darling Buds, they seem not quite sure what to make of it all but looking like they’re going to have a good time anyway. From the first gritty guitar onslaught, through every harmony Jan and Claire release, the seething throng is won over.

JAN: “We were totally surprised. We came out after the soundcheck, right, and you could hardly get through the crowd. It was unbelievable. When we came out on stage, out of 600 folk that were there, there must have been about 5 that knew us, but this big cheer went up and it was like ‘Good God! Has someone famous come on?’ People knew who were were – it was such a buzz!. Its swings and roundabouts, though. One minute you’re getting written about and doing good gigs, and then you’re back doing your washing and going back to work again.”

Oh well, if 30 minutes of crushing, barbed wire tinted pop results from 2 days’ laundry, scrub on. Edinburgh is the hometown of the AVOs, a place not renowned for its musical offerings.

GEORGE: “Edinburgh’s not the greatest scene in the world. We had to get out to make something.”

JAN: “Its never done us any favours at all. Quite honestly, Edinburgh, thanks for absolutely nothing!”

STEVE: “Its amazing when you play a gig and think ‘What a great gig that was, everyone was jumping about at the front and cheering and things’ and you read a review in the local Edinburgh newspaper thing and its like ‘AVO-8 had a couple of fans at the front and they were absolute shite’ and things like that.”

JAN: “In Edinburgh, there’s this big group of funk bands and this big group of soul bands and this big group of sort of funk/soul bands and there’s only, like, two venues you can play.”

CLAIRE: “No one goes out to see a band – they go out for a drink and if there’s a band on you don’t get the comeback. They’re not there to see you.”

GEORGE: “Edinburgh’s a city that’s got a festival and a very arty reputation. People get entertainment through the festival and they get passive. They’re very picky, very choosy, very stand-offish.”

JAN: “So we’re not that enamoured of Edinburgh music-wise at all.”

The Scottish connection doesn’t end there. Pick any review of AVO-8 and words like Rezillos and Tourists abound, Me? Well, I’d fall in with the latter.

JAN: “The Rezillos and The Tourists we could handle. The Primitives and the Darling Buds…we feel we’re doing a more similar poppy thing but we’re a bit sort of heavier. The Buds don’t see the similarity between us at all, but we’ve been getting doors shut on us by certain majors who’ve said ‘We want nothing to do with you because you’re too much like the Darling Buds.'”

This I find a disturbing factor. Certain areas of the press have put several female-fronted bands high up on a pedestal and I wonder how long it will be until the inevitable backlash commences. I wondered how the AVOs felt about being seen as just another of the same ilk?

JAN: “Some reviews you read of girlie guitar bands, people are starting to knock it a bit you know, ‘Oh my God, another guitar band with a female vocalist’. I guess its inevitable we’re gonna get it but I hope we can ride over it. What bugs me is that there’s only a handful of bands at the moment that have got girl singers – what about all the bands that’ve got male singers? Who ever turns round and says ‘Oh God, not another male vocalist with blonde hair’, or whatever. Why just pick on girls? I’m not saying that I’m a big feminist or anything, but its annoying.”

However, on one occasion, the pigeonholing actually worked in their favour when one Andy Kershaw picked up on their vinyl debut ‘Is This The End?’…

JAN: “It came out about February but it wasn’t until about April when Radio One picked up on it. We got the Kershaw session and he took it round to people like Steve Wright and Gary Davies who played it as well.”

STEVE: “We didn’t hear Andy Kershaw play it – it was a guy at my work. His brother normally tapes Andy Kershaw and plays it later, and he said ‘I was playing Andy Kershaw last night and he mentioned you, saying that if you got in touch he would play it and take it round to his daytime colleagues. On the tape he said ‘If anyone had said to me 12 months ago the Primitives would get where they are today, I’d have told them “rubbish”, but there’s no reason why AVO-8 can’t do it’ The whole day was absolutely brilliant, we were over the moon. You know, the 5:25 Steve Wright show with people sitting in traffic jams and later on we’re sitting in the pub and a guy we know came in said ‘I just heard your single on the radio; Liz Kershaw at 9 o’clock – magic twice in one day!. And we were sitting with this wee Walkman in the pub and Andy Kershaw started, not even an introduction – straight into the single – 3 times! Brilliant!! 5:25, 9.00 and 10:02.”

You see, AVO-8 are that kind of band. The kind you remember where you were and what you were doing when you first heard them. For me, things had come full circle. Here I was, sitting in the same (although less sweaty) Greyhound, interviewing the band that had brought a sparkle to an otherwise sweaty night. The AVO’s had spend the day in London conversing with Cherry Red Records.

GEORGE: “I think with independent labels you’re more likely to get people who are not gonna force you.”

JAN: “We’re quite happy to be with an independent at the moment.”

STEVE: “There’s a couple of majors at the moment that are signing everything that moves, and bands think ‘Great, great, great, we’ve signed to Virgin’ for example, and they get so much money and all they do is put out about 8 singles a week and the ones that sink start getting pushed aside. They chuck the singles out and see if anything happens and push the ones that do.”

CLAIRE: “Casual signing.”

GEORGE: “Yeah, casual signing – wear a condom!”

JAN: “AVO-8 are not into casual signing.”

What more can I say?

STEEV C

HOUSE OF DOLLS – ISSUE 21